March 30, 2016

Photay - Sadie EP (Astro Nautico Records)

US producer Photay has been on my lo-fi/electro radar since his first official LP release in 2014.

He's back on Brooklyn outfit Astro Nautico with a remarkable 4-track EP.

Get your fair share of deep beats, 80's flavored ethereal keyboards atmospheres and anthemic moments, climaxing with the absolutely splendid Monday track.

Sadie EP is available on Astro Nautico Bandcamp page.




March 14, 2016

Erik Truffaz Quartet - Doni Doni (Parlophone Records)

Since the late nineties and his first groundbreaking LPs (The Dawn, Bending New Corners...), blowing up the frontiers between nu-jazz, drum & bass, hip-hop & groove, Erik Truffaz Quartet has been a core member of my "desert island" playlist.

With the exception of the unmovable bassist Marcello Giuliani, Erik's quartet line-up has changed over the years, while never losing in cohesion and coherence. 
From the early days, featuring memorable drummer Marc Erbetta and Patrick Muller on piano, to the current formation with Arthur Knatek (drums) and the groove machine Benoit Corboz on keyboards, the quartet has also always retained an open-mind, constantly on the hook for new experiences and influences. The regular invitations of quality vocalists, bringing their own universe to the mix, has also without a doubt played a major role in the band's ability to constantly reinvent itself and surprise us with fascinating new atmospheres.

Their latest LP, Doni Doni is no exception to the game. Rokia Traoré's delicate west-African touch, as well as French rapper Oxmo Puccino flow are a perfect fit to a record travelling between world music and nu-jazz grooves. Another faultless release from Erik's crew, to be fully appreciated live, where their virtuosity is sometimes almost paranormal.


March 1, 2016

Tindersticks - The Waiting Room

Tindersticks' 10th LP is a gift that keeps on giving.

The more I listen to it, the more I feel at home, soothed by its soft & delicate rythmic background, enlightened by its colourful horns. As for the feeling of gravity, Stuart Staples' inimitable nagging singing is at its best, not to mention the precious help from the late Lhasa de Sela and Savages' Jhenny Beth on a couple of tracks. 

A few ultra smooth electro touches here and there, a superb afrobeat-inspired moment ("Help Yourself"), this "indie/world" masterpiece has me thinking of some productions by favorite "outside-of-the-box", horns-friendly indie band, Broken Social Scene. I bet you'll love get stuck in this Waiting Room.